Double-Gifting and Self-Interested Charity in The Merchant of Venice
DOI:
https://doi.org/10.5195/pur.2024.55Keywords:
shakespeare, the merchant of venice, gift exchangeAbstract
This essay analyzes the enacting of charity in The Merchant of Venice, with particular emphasis on moments of “double-gifting” in the plotlines of Portia and Antonio. Building on Henry Berger Jr.’s reading of the play in “Mercifixion in The Merchant of Venice,” I argue that both Bassanio’s wife and friend attempt to exert power over him by weaponizing unspoken obligations of reciprocity underlying their extravagant, repeated gifts of both self and property. Though Portia’s success at winning Bassanio’s fealty (as well as personal freedom for herself) contrasts sharply with Antonio’s near-complete loss of influence, a close reading of the ring plot and merry bond reveals a similar strategy of manipulation via charity behind the actions of both characters. I conclude by connecting the essay’s discussion of the play’s altered gift exchanges to the reality of emergent mercantile capitalism in early modern England, suggesting that said exchanges can be read as instances of “purchasing” interpersonal goods in a manner less explicit than, though bearing resemblance to, Shylock’s use of the money lending contract to obtain revenge on Antonio.
References
Berger, Harry. “Mercifixion in The Merchant of Venice: The Riches of Embarrassment.” Renaissance Drama 38, no. 1 (2010): 3–45. https://doi.org/10.1353/rnd.2010.0004.
Daniel, Drew. “‘Let Me Have Judgment, and the Jew His Will’: Melancholy Epistemology and Masochistic Fantasy in The Merchant of Venice.” Shakespeare Quarterly 61, no. 2 (2010): 206–34. https://doi.org/10.1353/shq.0.0144.
Karen Newman. “Portia’s Ring: Gender, Sexuality, and Theories of Exchange in The Merchant of Venice.” In Essaying Shakespeare, NED-New edition., 59-. University of Minnesota Press, 2009.
Mauss, Marcel. The Gift : The Form and Reason for Exchange in Archaic Societies. London: Routledge, 1990.
Shakespeare, William, and John Drakakis. The Merchant of Venice. London: Arden Shakespeare, 2010.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Liam Tinker
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.
- Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 International License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a prepublication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- the Work is the Author’s original work;
- the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- the Work is not pending review or under consideration by another publisher;
- the Work has not previously been published;
- the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- the Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.
- The Author agrees to digitally sign the Publisher’s final formatted PDF version of the Work.